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To add multiple descriptions to a character, add a Label using [[Text]] before the corresponding text. Click here for an example.
[[1954-1975]]
From a terrifying force of nature representing the horrors of war, to a parental figure primed for blockbuster kaiju team-ups,
Godzilla's role varied with each new Show era incarnation.
[[1984-1995]]
In 1984, the King of the Monsters' cinematic canon returned to its darker roots in Godzilla Returns.
This raging Godzilla radiated renewed menace, with a mountainous silhouette of massive dorsal fins running from its fanged face to its longest tail yet.
Background
There once was a great engineer. Arithmetic was his medium and a city was his canvas. He planned the roads, buildings, and byways. His work could not be more precise. Like everyone in Cloudbank, he served at the pleasure of the city's people. The city changed quickly and often, reconfiguring to best suit the contemporary sensibility. Thus the engineer's work was ephemeral. He loved his craft, but could not let himself become attached to the product of his effort.
Findings
Because the engineer's work was never done, it stayed fresh. With new whims came new challenges. Bridges. Gardens. Towers. Ports. None of it lasted very long. The nature of his work led him to notice certain patterns over time. The will of the people changed in cycles. Bridges would come down in favor of railways. Railways would give way to parks. New bridges would then be build upon the parks, and so on. Recognizing this, the engineer started fashioning avant garde structures and designs he believed would persist beyond the immediate urges of the population. Yet, these ideas proved much less popular, and before much longer he became obscure, and left his job to pursue personal interests on his own. It was then that he discovered a formula visualizing exactly how the structures of Cloudbank formed.
Travels
He studied this formula closely for it filled him with a deep sense of wonder and even deeper sense of dread. He developed predictive algorithms to determine where and when the visualization would take form, and began drawing it out with his own architectural plans, until one day he found it in its natural state. He saw beyond the confines of the city into something more, and there before him was something extraordinary. He took it, and realized the things he saw now stood at his call.
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Transistor
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Background
There once was a great engineer. Arithmetic was his medium and a city was his canvas. He planned the roads, buildings, and byways. His work could... [Read more]
There once was a great engineer. Arithmetic was his medium and a city was his canvas. He planned the roads, buildings, and byways. His work could not be more precise. Like everyone in Cloudbank, he served at the pleasure of the city's people. The city changed quickly and often, reconfiguring to best suit the contemporary sensibility. Thus the engineer's work was ephemeral. He loved his craft, but could not let himself become attached to the product of his effort.
Because the engineer's work was never done, it stayed fresh. With new whims came new challenges. Bridges. Gardens. Towers. Ports. None of it lasted very long. The nature of his work led him to notice certain patterns over time. The will of the people changed in cycles. Bridges would come down in favor of railways. Railways would give way to parks. New bridges would then be build upon the parks, and so on. Recognizing this, the engineer started fashioning avant garde structures and designs he believed would persist beyond the immediate urges of the population. Yet, these ideas proved much less popular, and before much longer he became obscure, and left his job to pursue personal interests on his own. It was then that he discovered a formula visualizing exactly how the structures of Cloudbank formed.
Travels
He studied this formula closely for it filled him with a deep sense of wonder and even deeper sense of dread. He developed predictive algorithms to determine where and when the visualization would take form, and began drawing it out with his own architectural plans, until one day he found it in its natural state. He saw beyond the confines of the city into something more, and there before him was something extraordinary. He took it, and realized the things he saw now stood at his call.
